Perhaps best described as speleology through a kaleidoscope, earlier this month I visited Dylan Gebbia-Richards outstanding Kinesthesia exhibition at Unit London. Comprised canvas and wax works formed from a unique chemical reaction, the exhibition pieces, which Gebbia-Richards describes as, microcosms "of the natural world", appeared like scenes from a synthetic cave system. Organic yet artificial, inspired by Jungian philosophy, each piece evolved to "become something greater beyond" its "physical and visible parts". The exhibition's name come from the instinctive, "uncorrupted" creative process by which Gebbia-Richards created the works, "kinaesthetic sense".
See above a selection of images from Kinesthesia, including the works 'Omni' , 'Phoenix' , and 'Home in the Fire' . Read more about Gebbia-Richards here.
Melissa Sterry, design scientist, systems theorist, futurologist, founder Bionic City®.
Asking the question "how would nature design a city" since 2010.
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